Saturday, January 6, 2018

Fred Farell (feat. Dave Liebman & Richie Beirach) - Distant Song (WHALING CITY SOUND RECORDS January 26 2018)



Higher Power

Fred Farell brings the good word on Distant Song



As a featured soloist and ensemble singer, Fred Farell has made a name for himself as a preeminent pro jazz voice. Across five decades and at venues as esteemed and diverse as Avery Fisher Hall, the Brooklyn Academy of Music, and the Museum of Modern Art, Farell has demonstrated inspired interpretive abilities to go with his heartfelt lyricism and sweet pipes. Distant Song, his debut for Whaling City Sound, a home for much quality jazz, is a profound experience, thanks partly due to his composers and loyal accompanists saxophonist Dave Liebman and piano/keys player Richie Beirach, both of whom have collaborated on the original music for this record.

Farell’s own wordsmithing is sublime, requiring deftness, patience and passion on the microphone. His compositions unfold gently, religiously. Infused with sacred messaging, Distant Song is an emotional project -part, jazz, part spiritual, part loving experiment- produced with happiness and love by a veteran talent clearly confident and at peace with himself and his abilities.


1. Broken Wing 5:55
2. Lonnie’s Song 4:53
3. Forgotten Fantasies (Instrumental) 6:16
4. Leaving 7:33
5.Tomorrow’s Expectations 6:58
6. Sunday Song 4:24
7. Mitsuku 7:56
8. Zal (Instrumental) 5:19
9. Places 4:22
10. Distant Song 5:34

Tracks 1,4,6,7
Richie Beirach,
Beirach Music, BMI

Fred Farell (lyrics),
FarellSongs Publishing, BMI

Tracks 2,5,9,10
Dave Liebman,
Liebstone Music, BMI

Fred Farell (lyrics),
FarellSongs Publishing, BMI

Track 3
Dave Liebman,
Liebstone Music, BMI

Track 8
Richie Beirach,
Beirach Music, BMI


FRED FARELL

Fred Farrell began singing professionally during his military service in the USA,
and Europe in 1967. His musical training includes: Jazz Vocal improvisation with
Pianist-composer and educator Richard Beirach; Private voice studies with
Cynthia Hoffman, Richard Dorr, and Larry Chelsi; and Music courses taken at
The City College of New York; at which time he enrolled in Jazz studies taught
by Jazz songstress and educator Sheila Jordan.

His first appearances as a solo artist and group leader in New York, were at
Loft galleries, and Jazz clubs during the 1970's and early 1980's; including
return engagements at Sweet Basil, and Greene Street; during which time he
was an artist-member of Cobi Narita's Universal Jazz Coalition.


As a featured soloist, as well as an ensemble singer, Mr. Farell has performed
at Avery Fisher Hall, The Brooklyn Academy of Music, The Kitchen, WBAI Radio,
The Musuem of Modern Art, and Symphony Space, with such Jazz Masters
and artists as the late saxaphonist Dexter Gordon; Pianists: Barry Harris,
the late Albert Dailey, and Kenny Barron; Bassists: the late Herman Wright,
Rufus Reid and Ratso Harris; Female Vocal Artist-educator Jay Clayton (The
Voice Group); and Natural Sound Composer-pianist Kirk Nurock.

In the creative expression of Jazz used to present the Gospel message, the
singer has been a featured soloist with the Don Hanson Ensemble, led by the
Saxaphonist-composer; has appeared on the Queens Public Cable TV Network;
and is currently co-leader of the Gospel Jazz group "JazzLite". In this group
setting, Mr. Farell ministers with his gospel lyrics for original compositions,
and Jazz standards, and features Pianists Jeff Kruh, and Joel Weiskopf in
varying instrumental formats, depending upon the venues entered.


Jason Marsalis (feat. Ellis Marsalis & Delfeayo Marsalis) and the 21st Century Trad Band - Melody Re-imagined: Book 1 (BASIN STREET RECORDS January 2018)




Melodies suggest melodies that often lead to either new or familiar paths. Think of a song and the next thing you know it reminds you of another. Jason Marsalis uses this reality in, as the title of his latest album states, Melody Reimagined: book 1. Performing on vibes with drummer David Potter, pianist Austin Johnson and bassist Will Goble, Marsalis utilizes primarily jazz tunes as jumping off points for his original creations. In doing so, he respectfully pays homage to the material’s creators and extends the longevity of melodies by giving them a fresh twist.

To explain, the album kicks off with “Ratio Man Strikes Again,” a rethink of “Traneing In,” a John Coltrane classic. Jazz fans will recognize the source of its initial melody and the importance of the strong role pianist Johnson plays in referencing the performance of the late Red Garland. Then, with the urging of Marsalis’ vibes and Potter’s insistent drums, it goes elsewhere, though never forgetting the passion that made Trane’s performance soar.


Perhaps an easier example of Marsalis’ concept is heard on “Basin Street Ain’t Mardi Gras,” a clever and accurate title in itself. It’s a play on Paul Barbarin’s classic “Bourbon Street Parade,” which remains in there, however obscurely to the average listener. Most will recognize Marsalis’ vibes throwing in Stevie Wonder’s “Sir Duke” (“You can feel it all over…”) and the chestnut “Dinah.” Perhaps Marsalis’ reconfiguring these tunes is a new twist on old school jazzers routinely quoting songs within their own works.

Smartly, Marsalis lists the names of his new creations alongside the songs from which inspired them. A few examples include “Just as Cool as the Other Side of the Pillow,” melodically derived in part from “Willow Weep for Me,” and “A Peaceful Silence” from Horace Silver’s “Peace.”

Jason Marsalis wisely looks back while simultaneously looking forward on the intriguing Melody Reimagined.

1 Ratio Man Strikes Again
2 Off the Rails
3 Just as Cool as the Other Side of the Pillow
4 Soot Sprites
5 A Peaceful Silence
6 Bourbon Street Ain't Mardi Gras
7 Passionate Dancer
8 Never Forget the 23rd Letter
9 80 (feat. Ellis Marsalis & Delfeayo Marsalis)


Satoko Fujii celebrates her 60th with new CD each month of 2018!


Fujii Turns 60!
CD of the Month Marathon Begins in January

Satoko Fujii Celebrates Her 60th Birthday by Releasing One New CD Each Month in 2018

“Unpredictable, wildly creative, and uncompromising… Fujii is an absolutely essential listen for anyone interested in the future of jazz.”
― Dan McClenaghan, All About Jazz

 “One of the most original pianists in free jazz.”
― Steve Greenlee, Boston Globe

“She could be the most important creative musician of our time.”
― Michael Nastos, allmusic

In pianist-composer Satoko Fujii’s native Japan, reaching the age of 60 is traditionally so important that there’s a special word for the milestone—kanreki. It’s a moment to remember life’s accomplishments and to put former troubles behind you. The celebrant enters the next stage of life with the all joy and expectations of a newborn child. To celebrate her own 60th birthday, Fujii, already a prolific bandleader with more than 80 releases to her name, will intensify her recording schedule, releasing one CD a month for all of 2018. Rather than using her kanreki year to look back at a career that has spanned more than 30 years, Fujii will emphasize new works for current projects, debut special projects, and introduce new working bands in an unprecedented 12-month spree of new releases. “I probably should think and notice that I am not young anymore,” she says, “but I just keep doing what I want to do.”



The pulse of any fan of Fujii’s unique musical vision will quicken at the thought of the anticipated albums. The celebration kicks off in January with Satoko Fujii: Solo (Libra), a live recording from the acoustically rich Yume Mikan Hall in Yawatahama, Japan. In a mesmerizing concert, she performed without a set list, simply improvising and playing compositions as they arose in the flow of the music.  

Two releases by current ensembles will follow. In February, Atody Man (Circum Libra), the fourth release from KAZE, the collaborative group with trumpeters Natsuki Tamura and Christian Pruvost and drummer Peter Orins, will feature more fiercely energetic improvising from the international quartet. March will see the releases of Ninety-Nine Years (Libra), the latest from Orchestra Berlin. A new one from Orchestra Tokyo is also planned. 

In addition, the dozen new releases will include the recording debuts of a new piano-bass-drums trio and This Is It!, a trio featuring Fujii with Natsuki Tamura on trumpet and Takashi Itani on percussion. Also slated is Intelsat, a duet with Australian pianist Alister Spence and May (Long Song Records), which showcases a one-time trio with Italian soprano saxophonist Gianni Mimmo and American bassist Joe Fonda, with whom Fujii released a critically acclaimed duo album in 2016. 


Other surprises and delights will be in store over the course of the year, in what is sure to be an unforgettable outpouring of musical riches. 

Critics and fans alike hail pianist and composer Satoko Fujii as one of the most original voices in jazz today. She’s “a virtuoso piano improviser, an original composer and a bandleader who gets the best collaborators to deliver," says John Fordham in The Guardian. In concert and on more than 80 albums as a leader or co-leader, she synthesizes jazz, contemporary classical, avant-rock and Japanese folk music into an innovative music instantly recognizable as hers alone. Over the years, Fujii has led some of the most consistently creative ensembles in modern improvised music, including the ma-do quartet, the Min-Yoh Ensemble, and an electrifying avant-rock quartet featuring drummer Tatsuya Yoshida of The Ruins. Her ongoing duet project with husband Natsuki Tamura released their sixth recording, Kisaragi, this year. “The duo's commitment to producing new sounds based on fresh ideas is second only to their musicianship,” says Karl Ackermann in All About Jazz. Aspiration, a CD by an ad hoc band featuring Wadada Leo Smith, Tamura, and Ikue Mori, was released this year to wide acclaim. “Four musicians who regularly aspire for greater heights with each venture reach the summit together on Aspiration,” writes S. Victor Aaron in Something Else.

She records infrequently as an unaccompanied soloist, but her latest solo album, Invisible Hand, led Dan McClenaghan in All About Jazz to praise her “stream of ideas, eschewing repetition and cliché in the crafting of her solo work, her loveliest and most accessible music.” Fujii has also established herself as one of the world’s leading composers for large jazz ensembles, leading Cadence magazine to call her, “the Ellington of free jazz.”

Snowpoet - Thought You Knew (EDITION RECORDS 9th February 2018)


Snowpoet announce their 2nd album Thought You Knew

- Out 9th February 2018 -

SNOWPOET, led by Jazz FM Vocalist of the Year (2016) Lauren Kinsella and multi-instrumentalist Chris Hyson, features Josh Arcoleo on sax, Matt Robinson on keys, Nick Costley-White on guitar and Dave Hamblett on drums. The band have just announced the release of their sublime new album, Thought You Knew out on 9th February.

The album’s lyrical opening track The Therapist is available to download immediately when you pre-order the album on iTunes.




Born out of a deep musical friendship and mutual understanding, Snowpoet’s acclaimed eponymous debut released in 2016 won rave reviews and a devoted audience with its compelling sound, drawing comparisons with Bjork.

With Thought You Knew their sound evolves and takes on a new direction in terms of their musical ideas and execution. Blending sweet hook-laden vocal lines with warm and lush arrangements, the music is infectious, delicate and tasteful. The sound is clear and beautifully produced, while the lyrical content exhibits a deep and raw emotion.

GIGS

JAN
25th London, UK Albert Hall, Elgar Room

MARCH
1st March - Kilkenny, Ireland - Billy Byrnes
2nd March - Wexford, Ireland - Wexford Arts Centre
3rd March - Cork, Ireland -Triskel
4th March - Galway, Ireland - Campbells Tavern
7th March - Louth, Ireland - Spirit Store
9th March - Dublin, Ireland - Spectrum Festival Double bill with Sons of Kemet
10th March - Meath, Ireland - Solstice Arts Centre
11th March - Wicklow, Ireland - Tinehely Arts Centre

APRIL
19th Birmingham, UK - Hare and Hounds
27th CCA, Scotland (or September 8) - we'll know in Jan 2018

MAY
4th Derry, Northern Ireland - Derry Jazz Festival
6th Waterford, Ireland - Coastguard Cultural Centre
10th London, UK (Kings Place, Album Launch)
11th Southampton Turner Sims Double bill with Olivia Chaney
12th Cardiff, UK - Millennium Centre


Robert Hurst - Black Current Jam (DOT TIME RECORDS February 23, 2018)


Black Current Jam just may be Hurst’s most ambitious recording project to date. His musicianship ignites a plethora of bass and rhythmic offerings, all situated by his international profile of eclectic bassist, composer, arranger, band leader and swing street strategist. Hurst elegantly lays out music architecture continually shifting beats that are endlessly stirring, never predictable. This recording is a hot savory mélange of rhythm. Watch yourself: you could be transfixed and entranced for life enjoying it.


1. Detroit Day
2. Afromation
3. Two Beats and a Breath
4. Bela
5. Coneys and Vernors
6. Keepin’ it Rio
7. This is Your Brain on Drums
8. Morse Code and the Time
9. At First Sight
10. Happy Nappy

Nate Winn, drums
Ian Finkelstein, piano
Rafael Statin, sax
Pepe Espinosa, percussion
Brendan Asante, vocals
Julian Hurst, vocals